MANIPURI Manipuri dance is one of the major Indian classical dance forms. It originates from Manipur, a state in north-eastern India on the border with Myanmar (also known as Burma). In Manipur, surrounded by mountains and geographically isolated at the meeting point of the orient and mainland India, the form developed its own specific aesthetics, values, conventions and ethics. The cult of Radha and Krishna, particularly the raslila, is central to its themes but the dances, unusually, incorporate the characteristic cymbals (kartal or manjira) and double-headed drum (pung or Manipuri mridang) of sankirtan into the visual performance.
Manipuri dancers do not wear ankle bells to accentuate the beats tapped out by the feet, in contrast with other Indian dance forms, and the dancers' feet never strike the ground hard. Movements of the body and feet and facial expressions in Manipuri dance are subtle and aim at devotion and grace.
A copper plate inscription credits King Khuoyi Tompok (c. 2nd century CE) with introducing drums and cymbals into Manipuri dance. However, it is unlikely that the style resembled the form known today before the introduction of Krishna bhakti in the 15th century CCE. Maharaja Bhagyachandra (r. 1759–1798 CE) codified the style, composed three of the five types of Ras Lilas, the Maha Ras, the Basanta Ras and the Kunja Ras, performed at the Sri Sri Govindaji temple in Imphal during his reign and also the Achouba Bhangi Pareng dance. He designed an elaborate costume known as Kumil. The Govindasangeet Lila Vilasa, an important text detailing the fundamentals of the dance, is also attributed to him.
Maharaja Gambhir Singh (r. 1825–1834 CE) composed two parengs of the tandava type, the Goshtha Bhangi Pareng and the Goshtha Vrindaban Pareng. Maharaja Chandra Kirti Singh (r. 1849–1886 CE), a gifted drummer, composed at least 64 Pung choloms (drum dances) and two parengs of the Lasya type, the Vrindaban Bhangi Pareng and Khrumba Bhangi Pareng. The composition of theNitya Ras is also attributed to him.
Modern TimesFile:Manipuri Rasa lila.jpgExponents of Manipuri danceThis genre of dance became better known outside the region through the efforts of Rabindranath Tagore. In 1919, he was so impressed after seeing a dance composition, the Goshtha Lila in Sylhet (in present day Bangladesh) that he invited Guru Budhimantra Singh to Shantiniketan. In 1926, Guru Naba Kumar joined the faculty to teach the Ras Lila. Other celebrated Gurus, Senarik Singh Rajkumar, Nileshwar Mukherji and Atomba Singh were also invited to teach there and assisted Tagore with the choreography of several of his dance-dramas.
Guru Naba Kumar went to Ahmedabad to teach Manipuri dance in 1928. Soon, Guru Bipin Singh popularised it in Mumbai. Amongst his pupils, most well known are the Jhaveri sisters, Nayana, Suverna, Darshana and Ranjana.
Guru PAGLU Maharaj (Anurag Deb) went to Guwahati, Singapore and other places to learn Manipuri dance. He now teaches his PAGLU gharana dance at Pictoria Blues academy of dance and is extremely popular among his students. In last World Manipuri dance meet, he left a lasting impression on the audiences coming from different parts of the world.